| Term | Definition | 
|---|---|
| Baseline | The invisible line on which most letters sit. | 
| Cap Height / Cap Line | The top boundary of uppercase letters. | 
| X‑Height | The height of lowercase letters (like “x”), excluding ascenders and descenders. | 
| Ascender | The part of a lowercase letter that extends above the x‑height (e.g., “h”, “b”). | 
| Descender | The part of a lowercase letter that extends below the baseline (e.g., “g”, “y”). | 
| Serif | Small strokes attached at the end of letterforms; found in serif typefaces. | 
| Sans‑Serif / Grotesque | Typefaces without serifs; “Grotesque” is an early sans‑serif category. | 
| Slab Serif | Serif typeface with thick, block‑like serifs. | 
| Monospaced | A font where each character takes up the same horizontal width. | 
| Ligature | Two or more characters joined into a single glyph (e.g., “fi”, “æ”). | 
| Kerning | Adjustment of space between specific letter pairs. | 
| Tracking | Uniform adjustment of spacing across a range of characters. | 
| Leading (Line‑Spacing) | Vertical space between baselines of consecutive lines of text. | 
| Weight | The thickness of strokes in a typeface (e.g., Light, Bold). | 
| Italic / Oblique | A slanted version of the font; italics are redesigned, obliques are mechanically slanted. | 
| Typeface vs. Font | Typeface is the design; font refers to a specific file or style implementation. | 
| Glyph | A single visual representation of a character in a font. | 
| Alternate Glyph / Swash | Optional stylized or decorative glyph variations. | 
| Stroke / Stem | The lines that make up a glyph; stems are the main vertical strokes. | 
| Bowl / Counter / Aperture | Enclosed or partially enclosed spaces in letters; apertures are open counters. | 
| Arm / Leg / Shoulder / Spine | Specific stroke parts—arms and legs extend, shoulders curve, the spine is the central curve of an “S”. | 
| Apex / Vertex | The upper (apex) or lower (vertex) pointed junctions of strokes. | 
| Arc | A curved stroke element within letters. | 
| Foot / Spur | The base of a stroke or a small projection from a curved stroke. | 
| Ball / Teardrop Terminal | Rounded decorative stroke endings, often found on serif fonts. | 
| Joint / Crotch | The point where two strokes meet, like in “v”. | 
| Double‑Story | Letters like “a” or “g” with two counters (e.g., Times “a”). | 
| Point Size | The size of the font, measured in points (~1/72 inch). | 
| Em / En (units) | Em equals the current font size; En is half that. Used for spacing metrics. | 
| Condensed / Expanded | Width-variant styles of a typeface. | 
| Contrast | Variation between thick and thin strokes in a font. | 
| Typographic Color / Rhythm | The overall texture or ‘grayness’ of text blocks. | 
| Hierarchy / Scale | Visual importance created through size, weight, etc. | 
| Legibility / Readability | How easily text can be read, influenced by spacing, x‑height, etc. | 
| Copyfitting / Optimal Line Length | Adjusting font and layout for readability—ideal line length is typically 50–70 chars. | 
| Widows / Orphans / Rivers | Layout issues—lone lines or distracting vertical spaces in paragraph text. | 
| Dingbats / Fleurons | Symbol or ornamental fonts (bullet fonts, decorative elements). | 
| Drop Cap | A large initial letter spanning multiple lines. | 
| Pilcrow / Ellipsis / Octothorp | Special characters like ¶, …, and #. | 
| Raster / Anti‑aliasing | Pixel rendering of fonts and smoothing techniques on screens. | 
| Hinting | Instructions in fonts improving legibility at small sizes. | 
| Static / Kinetic / Fluid Typography | Static, animated, or responsive typographic styles. | 
| Axis / Stress | The orientation of stroke thickness variation in letterforms. | 
| Small Caps | Capital letterforms scaled to x‑height. | 
| Subscript / Superscript | Smaller characters positioned below or above the baseline. | 
| Gutter | Spacing between columns in multi-column layouts. | 
| Justify | Aligning text evenly to both left and right margins. | 
| Typography | The craft and technique of arranging type. | 
| GSUB (Glyph Substitution Table) | OpenType table that substitutes glyphs—used for ligatures, alternates, contextual forms. :contentReference[oaicite:1]{index=1} | 
| GPOS (Glyph Positioning Table) | OpenType table that handles precise glyph placement—kerning, mark positioning, cursive attachments. :contentReference[oaicite:2]{index=2} | 
| GDEF (Glyph Definition Table) | OpenType table that classifies glyphs (base, mark, ligature) and defines caret positions. | 
| BASE (Baseline Table) | OpenType table for baseline alignment across scripts (e.g., roman, ideographic, hanging). | 
| JSTF (Justification Table) | OpenType table that supports script-specific justification (e.g., Arabic kashida). | 
| Unicode | The universal character encoding standard covering nearly all scripts and symbols. | 
| Blackletter | A Gothic script style (Textura, Fraktur) with medieval calligraphic texture. | 
| Transitional Serif | Serif style between old-style and modern (e.g., Baskerville), moderate contrast. | 
| Old‑style Serif | Serif faces with diagonal stress and bracketed serifs; inspired by Renaissance writing. | 
| Didone / Modern Serif | High-contrast serif fonts with vertical stress and fine hairlines (e.g., Bodoni). | 
| Display Typeface | Highly stylized fonts for headlines or large sizes, often too decorative for body text. | 
| Text Typeface | Fonts optimized for body text and readability at small sizes. | 
| Geometric Sans‑Serif | Sans fonts based on simple geometric shapes (e.g., Futura). | 
| Humanist Sans‑Serif | Sans faces with calligraphic influence and subtle stroke contrast. | 
| Neo‑Grotesque Sans‑Serif | Neutral, modern sans-serifs (e.g., Helvetica, Univers). | 
| Script Typeface | Typefaces that mimic cursive handwriting or calligraphy. | 
| Variable Font | A single font file that supports multiple axes (weight, width, optical size). | 
| Ligature Caret | A marker in ligature glyphs to define cursor/caret placement. | 
| Contextual Alternates (calt) | An OpenType feature for substituting glyphs based on context. | 
| Stylistic Set (ssXX) | Predefined alternate glyph sets that can be turned on manually. | 
| Oldstyle Figures (onum) | Numerals with varied heights and alignments for flowing text. | 
| Lining Figures (lnum) | Numerals aligned to cap height, consistent with uppercase letters. | 
| Proportional Figures (pnum) | Numbers with variable widths designed for visual harmony. | 
| Tabular Figures (tnum) | Monospaced numerals for tables and aligned columns. | 
| Discretionary Ligatures (dlig) | Decorative ligatures applied optionally for stylistic effect. | 
| Fractions (frac / afrc) | OpenType features that auto-create fraction glyphs. | 
| Swash Capitals | Highly decorative uppercase glyphs, often with flourishing strokes. | 
| Initial/Final Forms (init / fina) | Contextual forms used at the beginning or end of words (common in Arabic). | 
| Split Diacritics | Diacritics positioned separately from base glyphs (e.g., Vietnamese). | 
| Glyph Coverage | The set of Unicode blocks and scripts supported by a font. | 
| Script Tag | An OpenType label identifying the script for a set of features (e.g., “latn”). | 
| Feature Tag | A four-letter code defining OpenType features (e.g., kern, liga). | 
| Lookup Table | A GSUB/GPOS structure defining specific substitutions or positioning rules. | 
| Coverage Table | Specifies which glyphs are affected by a lookup in GSUB/GPOS. | 
Tuesday, July 8, 2025
Learn To Speak Typographers Slang - A Glossary of Type
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