| Term | Definition |
|---|---|
| Baseline | The invisible line on which most letters sit. |
| Cap Height / Cap Line | The top boundary of uppercase letters. |
| X‑Height | The height of lowercase letters (like “x”), excluding ascenders and descenders. |
| Ascender | The part of a lowercase letter that extends above the x‑height (e.g., “h”, “b”). |
| Descender | The part of a lowercase letter that extends below the baseline (e.g., “g”, “y”). |
| Serif | Small strokes attached at the end of letterforms; found in serif typefaces. |
| Sans‑Serif / Grotesque | Typefaces without serifs; “Grotesque” is an early sans‑serif category. |
| Slab Serif | Serif typeface with thick, block‑like serifs. |
| Monospaced | A font where each character takes up the same horizontal width. |
| Ligature | Two or more characters joined into a single glyph (e.g., “fi”, “æ”). |
| Kerning | Adjustment of space between specific letter pairs. |
| Tracking | Uniform adjustment of spacing across a range of characters. |
| Leading (Line‑Spacing) | Vertical space between baselines of consecutive lines of text. |
| Weight | The thickness of strokes in a typeface (e.g., Light, Bold). |
| Italic / Oblique | A slanted version of the font; italics are redesigned, obliques are mechanically slanted. |
| Typeface vs. Font | Typeface is the design; font refers to a specific file or style implementation. |
| Glyph | A single visual representation of a character in a font. |
| Alternate Glyph / Swash | Optional stylized or decorative glyph variations. |
| Stroke / Stem | The lines that make up a glyph; stems are the main vertical strokes. |
| Bowl / Counter / Aperture | Enclosed or partially enclosed spaces in letters; apertures are open counters. |
| Arm / Leg / Shoulder / Spine | Specific stroke parts—arms and legs extend, shoulders curve, the spine is the central curve of an “S”. |
| Apex / Vertex | The upper (apex) or lower (vertex) pointed junctions of strokes. |
| Arc | A curved stroke element within letters. |
| Foot / Spur | The base of a stroke or a small projection from a curved stroke. |
| Ball / Teardrop Terminal | Rounded decorative stroke endings, often found on serif fonts. |
| Joint / Crotch | The point where two strokes meet, like in “v”. |
| Double‑Story | Letters like “a” or “g” with two counters (e.g., Times “a”). |
| Point Size | The size of the font, measured in points (~1/72 inch). |
| Em / En (units) | Em equals the current font size; En is half that. Used for spacing metrics. |
| Condensed / Expanded | Width-variant styles of a typeface. |
| Contrast | Variation between thick and thin strokes in a font. |
| Typographic Color / Rhythm | The overall texture or ‘grayness’ of text blocks. |
| Hierarchy / Scale | Visual importance created through size, weight, etc. |
| Legibility / Readability | How easily text can be read, influenced by spacing, x‑height, etc. |
| Copyfitting / Optimal Line Length | Adjusting font and layout for readability—ideal line length is typically 50–70 chars. |
| Widows / Orphans / Rivers | Layout issues—lone lines or distracting vertical spaces in paragraph text. |
| Dingbats / Fleurons | Symbol or ornamental fonts (bullet fonts, decorative elements). |
| Drop Cap | A large initial letter spanning multiple lines. |
| Pilcrow / Ellipsis / Octothorp | Special characters like ¶, …, and #. |
| Raster / Anti‑aliasing | Pixel rendering of fonts and smoothing techniques on screens. |
| Hinting | Instructions in fonts improving legibility at small sizes. |
| Static / Kinetic / Fluid Typography | Static, animated, or responsive typographic styles. |
| Axis / Stress | The orientation of stroke thickness variation in letterforms. |
| Small Caps | Capital letterforms scaled to x‑height. |
| Subscript / Superscript | Smaller characters positioned below or above the baseline. |
| Gutter | Spacing between columns in multi-column layouts. |
| Justify | Aligning text evenly to both left and right margins. |
| Typography | The craft and technique of arranging type. |
| GSUB (Glyph Substitution Table) | OpenType table that substitutes glyphs—used for ligatures, alternates, contextual forms. :contentReference[oaicite:1]{index=1} |
| GPOS (Glyph Positioning Table) | OpenType table that handles precise glyph placement—kerning, mark positioning, cursive attachments. :contentReference[oaicite:2]{index=2} |
| GDEF (Glyph Definition Table) | OpenType table that classifies glyphs (base, mark, ligature) and defines caret positions. |
| BASE (Baseline Table) | OpenType table for baseline alignment across scripts (e.g., roman, ideographic, hanging). |
| JSTF (Justification Table) | OpenType table that supports script-specific justification (e.g., Arabic kashida). |
| Unicode | The universal character encoding standard covering nearly all scripts and symbols. |
| Blackletter | A Gothic script style (Textura, Fraktur) with medieval calligraphic texture. |
| Transitional Serif | Serif style between old-style and modern (e.g., Baskerville), moderate contrast. |
| Old‑style Serif | Serif faces with diagonal stress and bracketed serifs; inspired by Renaissance writing. |
| Didone / Modern Serif | High-contrast serif fonts with vertical stress and fine hairlines (e.g., Bodoni). |
| Display Typeface | Highly stylized fonts for headlines or large sizes, often too decorative for body text. |
| Text Typeface | Fonts optimized for body text and readability at small sizes. |
| Geometric Sans‑Serif | Sans fonts based on simple geometric shapes (e.g., Futura). |
| Humanist Sans‑Serif | Sans faces with calligraphic influence and subtle stroke contrast. |
| Neo‑Grotesque Sans‑Serif | Neutral, modern sans-serifs (e.g., Helvetica, Univers). |
| Script Typeface | Typefaces that mimic cursive handwriting or calligraphy. |
| Variable Font | A single font file that supports multiple axes (weight, width, optical size). |
| Ligature Caret | A marker in ligature glyphs to define cursor/caret placement. |
| Contextual Alternates (calt) | An OpenType feature for substituting glyphs based on context. |
| Stylistic Set (ssXX) | Predefined alternate glyph sets that can be turned on manually. |
| Oldstyle Figures (onum) | Numerals with varied heights and alignments for flowing text. |
| Lining Figures (lnum) | Numerals aligned to cap height, consistent with uppercase letters. |
| Proportional Figures (pnum) | Numbers with variable widths designed for visual harmony. |
| Tabular Figures (tnum) | Monospaced numerals for tables and aligned columns. |
| Discretionary Ligatures (dlig) | Decorative ligatures applied optionally for stylistic effect. |
| Fractions (frac / afrc) | OpenType features that auto-create fraction glyphs. |
| Swash Capitals | Highly decorative uppercase glyphs, often with flourishing strokes. |
| Initial/Final Forms (init / fina) | Contextual forms used at the beginning or end of words (common in Arabic). |
| Split Diacritics | Diacritics positioned separately from base glyphs (e.g., Vietnamese). |
| Glyph Coverage | The set of Unicode blocks and scripts supported by a font. |
| Script Tag | An OpenType label identifying the script for a set of features (e.g., “latn”). |
| Feature Tag | A four-letter code defining OpenType features (e.g., kern, liga). |
| Lookup Table | A GSUB/GPOS structure defining specific substitutions or positioning rules. |
| Coverage Table | Specifies which glyphs are affected by a lookup in GSUB/GPOS. |
Tuesday, July 8, 2025
Learn To Speak Typographers Slang - A Glossary of Type
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